Every frame
a still life.

Organic forms closed inside cubes — over a dozen numbered versions and counting, in white and in black. The cycle everyone is asking about right now; shown at OPULA (Poznań), Your Art Maison, and living in private interiors from Gdańsk to Kruczyn.

The Young Creator cycle — from dark twisting casts on rust-steel plinths to large fan-pleated white reliefs at gallery scale.

A ribbon closing on itself — the cycle studied as a looping 3D object, kin to Echo's flashbacks.

Twin works commissioned for the Opacka residence in Gdańsk-Oliwa — from first pencil line, through two tonnes of clay, to the lobby. The one with its own film.

Softness and membranes — reliefs on the border of painting and sculpture, in white, in black clay, and back to black acrylic.

White reliefs that hold a postcode — the monumental Archipelag for Allcon, the Smolna interiors, and a private commission in Benahavís, Spain.

Where are the borders of the volume that surrounds a sculpture? The monumental outdoor Volumen — with its seven-minute process film — and the Volumen II cycle of nine, read from the inside with a 3D scanner.

Concrete, steel and wood on a mirrored base — a public-scale sequel to the Volumen questions, documented with a looping 3D render.

A crossing over obstacles — the series opened in 2014 and keeps developing, up to the monumental realizations in Kwidzyn.

Stone that perversely became a toy — the puppet cycle grown from days at grandmother Melania's sewing table.

"Pokój" means both room and peace. Two installations that sort what gives anxiety from what gives calm — a concrete cube in a forest, and a glowing room in a gallery.

"We don't need a framework." Casts born of creative rebellion — frames, pillars and balance, poured in iron and aluminium.

Sandstone, ceramic and solid wood — the works where the imperative to carve began.